Research on the Films of the Russian-Ukrainian War
Oğuzhan Mutluer holds a Doctoral degree from İhsan Doğramacı Bilkent University, International Relations. Currently, he is a research assistant at Eskişehir Osmangazi University, Turkey. His research interests include films & politics, memory politics, the history of Soviet and post-Soviet Russian cinema, and contemporary Russian politics.
When: March 26, 15.15–16.00.
Where: Seminar room, 9th floor
Abstract
The Russian-Ukrainian War has been one of the critical conflicts in world politics in the last decade and the latest invasion stage has been the most significant military conflict in Europe since the end of the Second World War. While the impact of the conflict on world politics is particular in terms of power politics, perceptions of the war also have a substantial part for both sides. Cultural mediums may affect perceptions to mobilize the masses and make them experience conflict throughout a narrative. The main topic of my research is to analyze the Russian-Ukrainian War-based films to understand the perceptions of each side. For this purpose, I will ask, “How has the crisis been represented in the national cinemas of Ukraine and Russia?” as a question. I claim that the visual discourse on the big screen may help us to understand perceptions and motivations about the war as films can represent, construct and modify reality. In the first step of the research, I will focus on Russian and Ukrainian film politics. Then, I will categorize the films through their genres. In the next stage, I will analyze the films using sociological, political-ideological and historical analysis, semiotics, auteur analysis and genre analysis. The main goal of the research is to find similar or contradicting patterns in both Ukrainian and Russian films depicting the conflict.